Call for Papers

Call for Papers – Open until April 30th!

We invite researchers, practitioners, site managers, digital specialists, policy actors, students and community representatives to explore the diverse sessions, round tables, thematic strands, exhibitions and training opportunities that will shape this year’s programme.

CHNT31 addresses the practical realities of cultural heritage work – from archaeological and architectural field research to World Heritage management, digital documentation, AI-supported analysis, interpretation, community engagement, and responsible data governance. We encourage prospective contributors to review the thematic areas carefully and consider how their current research, field projects, methodological developments, or management experiences may contribute to this dialogue.

If your work engages with the intersection of scientific research, digital innovation and heritage management in real-world contexts, we warmly encourage you to prepare a submission.

The Microsoft CMT service was used for managing the peer-reviewing process for this conference. This service was provided for free by Microsoft and they bore all expenses, including costs for Azure cloud services as well as for software development and support.

Detailed guidelines:

CHNT31 Formats

Different formats are offered again, to understand how these should look in detail please have a look on the following information:

Sessions are the place to present current research towards the application of technologies in research, management and presentation of cultural heritage. They usually consist of a series of lectures of max. 20 minutes. The contributions can be published as papers or short papers in the proceedings.

The focus of the round tables is more on discussion on current topics in the field, furthered by short talks on the topic of about 5 to 10 minutes, that can be published as short papers in the proceedings.

A panel is used to give short inputs and to discuss and share experiences on an interdisciplinary basis. On the basis of one or two (invited) keynote speeches, different statements are introduced into the panel.

These hands-on trainings present state-of-the-art methods and technologies and can be practiced by all participants of CHNT31. The duration depends on the type of training.

The trainings can only be attended on-site.  All trainings are free of charge for conference participants.

Please register for the trainings by E-mail to: info@chnt.at (Subject: Registration Training “training title”).

Digital Creative Award

The Digital Creative Award is a thematically open call for posters, short films and apps or software applications within the framework of the conference.

All authors are invited to give a short presentation of their project (max. 2 minutes), during which up to 30 seconds of a film may be shown.
Every project (including films and apps/software) must also be accompanied by a poster (see detailed information below).

Participants will select the best presentation as one of the highlights of the conference. The evaluation criteria are:

  • innovation

  • creativity

  • broad impact / public awareness

The posters will be displayed throughout the entire conference.

Please note: If you do not bring a printed poster, your project will not be eligible for the award.


Guidelines for posters

Poster size: A0 (841 × 1188 mm)
Orientation: portrait

Please design the poster space carefully using clearly structured sections, for example:

title, objectives, methodology, input data, case study, results, analysis and conclusions.

  • All sections should be clearly and attractively presented, for example by using frames and colours.

  • Use large lettering with a minimum height of 10 mm (e.g. Arial or Times New Roman).

  • Each section should include a title and a brief explanation.

  • Include enlarged figures or photographs (3–5) with a minimum size of 200 × 250 mm.

  • Author name(s), affiliation and email address(es) should be included on the poster.

Please send a digital copy of your accepted poster or a detail (PDF) by October 23, 2026 to info@chnt.at (maximum file size: 2 MB).

Bring your poster in printed form to the conference on Wednesday, November 11, 2026, between 8:00 and 9:00 am to the registration desk (entrance).

CHNT31 Sessions

Browse the sessions below and decide where your proposed abstract could best fit for submission and potential presentation.

Description

Current practices in virtual heritage restoration face a critical dual challenge. While the rapid iteration of artificial intelligence and high-fidelity 3D technologies offers unprecedented tools for reconstruction, it frequently fails to balance technology-generated restorative hypotheses with rigorous historical authenticity. Furthermore, entrenched silos among materials science, historical research, and arts technology often result in digital models that lack cross-disciplinary validation.

Addressing these urgent methodological gaps, this session champions a paradigm shift from mere “technical application” to “evidentiary science” in digital heritage conservation. By convening scholars and practitioners across heritage protection, computer science, and the digital humanities, the panel aims to construct a scientific, verifiable, and reproducible virtual restoration workflow.

The discussion centers on three core dimensions. First, it examines how AI-assisted restoration, style transfer, and digital twins can reshape restoration pathways and condition inference. Second, it advocates for “evidence-based restoration,” dismantling silos by integrating materials science, empirical data, and art history to form a robust, interdisciplinary scientific evidence chain. Finally, the session explores value translation and ethical boundaries. It critically assesses the translational pathways of virtual restoration outcomes—from guiding physical conservation to unlocking the value and commercial ecosystems of heritage digital assets. It will also address the ethical frameworks and intellectual property management required for responsible development.

Through a synthesis of frontier case studies, core technology demonstrations, and interdisciplinary dialogues, this session moves beyond abstract theorizing. Instead, it fosters deep methodological reflection and practical consensus, ultimately bridging technological innovation with heritage preservation to drive sustainable, scientifically validated digital humanities development.

Motivation

The primary motivation for this session stems from the widening epistemological gap between rapid technological advancement—particularly in AI and interactive arts technology—and traditional heritage conservation. While new computational tools offer unprecedented capabilities for visualization and simulation, they frequently operate in silos, detached from the rigorous, evidence-based methodologies of the humanities and materials science. This disconnect risks reducing cultural heritage to mere aesthetic digital artifacts rather than scientifically validated historical assets.

Furthermore, there is an urgent need to reframe virtual restoration not just as a retrospective technical exercise, but as a catalyst for AI-enabled social innovation and sustainable development. We are motivated by the imperative to bridge these interdisciplinary divides to establish workflows that ensure both historical authenticity and practical utility. By moving beyond isolated technical applications, we can successfully unlock the enduring value and commercial ecosystems of heritage digital assets.

Ultimately, this session is driven by the desire to foster a co-created, holistic paradigm—fusing innovative design practice with cultural preservation to educate the next generation, bridge global cultural narratives, and sustain heritage in the digital era.

Target Audience

  • Researchers and frontline conservators in cultural heritage protection.
  • Technology professionals in computer vision, AI, and graphics focused on cultural heritage applications.
  • Scholars in art history, archaeology, history of science, and digital humanities.
  • Policymakers, project managers, and industry practitioners in cultural heritage digitization and creative economies.

Keywords

Simulated Heritage Restoration; AI-Assisted Restoration; Evidence-Based Reconstruction; Digital Heritage Ethics; Virtual Restoration Workflow

The trainings can only be attended on-site.  All trainings are free of charge for conference participants.

Please register for the trainings by E-mail to: info@chnt.at (Subject: Registration Training “training title”).

CHNT31 Round Tables

Browse the round tables below and decide where your proposed abstract could best fit for submission and potential presentation.

Description

Current practices in virtual heritage restoration face a critical dual challenge. While the rapid iteration of artificial intelligence and high-fidelity 3D technologies offers unprecedented tools for reconstruction, it frequently fails to balance technology-generated restorative hypotheses with rigorous historical authenticity. Furthermore, entrenched silos among materials science, historical research, and arts technology often result in digital models that lack cross-disciplinary validation.

Addressing these urgent methodological gaps, this session champions a paradigm shift from mere “technical application” to “evidentiary science” in digital heritage conservation. By convening scholars and practitioners across heritage protection, computer science, and the digital humanities, the panel aims to construct a scientific, verifiable, and reproducible virtual restoration workflow.

The discussion centers on three core dimensions. First, it examines how AI-assisted restoration, style transfer, and digital twins can reshape restoration pathways and condition inference. Second, it advocates for “evidence-based restoration,” dismantling silos by integrating materials science, empirical data, and art history to form a robust, interdisciplinary scientific evidence chain. Finally, the session explores value translation and ethical boundaries. It critically assesses the translational pathways of virtual restoration outcomes—from guiding physical conservation to unlocking the value and commercial ecosystems of heritage digital assets. It will also address the ethical frameworks and intellectual property management required for responsible development.

Through a synthesis of frontier case studies, core technology demonstrations, and interdisciplinary dialogues, this session moves beyond abstract theorizing. Instead, it fosters deep methodological reflection and practical consensus, ultimately bridging technological innovation with heritage preservation to drive sustainable, scientifically validated digital humanities development.

Motivation

The primary motivation for this session stems from the widening epistemological gap between rapid technological advancement—particularly in AI and interactive arts technology—and traditional heritage conservation. While new computational tools offer unprecedented capabilities for visualization and simulation, they frequently operate in silos, detached from the rigorous, evidence-based methodologies of the humanities and materials science. This disconnect risks reducing cultural heritage to mere aesthetic digital artifacts rather than scientifically validated historical assets.

Furthermore, there is an urgent need to reframe virtual restoration not just as a retrospective technical exercise, but as a catalyst for AI-enabled social innovation and sustainable development. We are motivated by the imperative to bridge these interdisciplinary divides to establish workflows that ensure both historical authenticity and practical utility. By moving beyond isolated technical applications, we can successfully unlock the enduring value and commercial ecosystems of heritage digital assets.

Ultimately, this session is driven by the desire to foster a co-created, holistic paradigm—fusing innovative design practice with cultural preservation to educate the next generation, bridge global cultural narratives, and sustain heritage in the digital era.

Target Audience

  • Researchers and frontline conservators in cultural heritage protection.
  • Technology professionals in computer vision, AI, and graphics focused on cultural heritage applications.
  • Scholars in art history, archaeology, history of science, and digital humanities.
  • Policymakers, project managers, and industry practitioners in cultural heritage digitization and creative economies.

Keywords

Simulated Heritage Restoration; AI-Assisted Restoration; Evidence-Based Reconstruction; Digital Heritage Ethics; Virtual Restoration Workflow

CHNT31 Trainings

These hands-on trainings present state-of-the-art methods and technologies and can be practiced by all participants of CHNT31. The duration depends on the type of training.

The trainings can only be attended on-site.

All trainings are free of charge.

Please register for the trainings by E-mail to: info@chnt.at (Subject: Registration Training “training title”).

Description

Current practices in virtual heritage restoration face a critical dual challenge. While the rapid iteration of artificial intelligence and high-fidelity 3D technologies offers unprecedented tools for reconstruction, it frequently fails to balance technology-generated restorative hypotheses with rigorous historical authenticity. Furthermore, entrenched silos among materials science, historical research, and arts technology often result in digital models that lack cross-disciplinary validation.

Addressing these urgent methodological gaps, this session champions a paradigm shift from mere “technical application” to “evidentiary science” in digital heritage conservation. By convening scholars and practitioners across heritage protection, computer science, and the digital humanities, the panel aims to construct a scientific, verifiable, and reproducible virtual restoration workflow.

The discussion centers on three core dimensions. First, it examines how AI-assisted restoration, style transfer, and digital twins can reshape restoration pathways and condition inference. Second, it advocates for “evidence-based restoration,” dismantling silos by integrating materials science, empirical data, and art history to form a robust, interdisciplinary scientific evidence chain. Finally, the session explores value translation and ethical boundaries. It critically assesses the translational pathways of virtual restoration outcomes—from guiding physical conservation to unlocking the value and commercial ecosystems of heritage digital assets. It will also address the ethical frameworks and intellectual property management required for responsible development.

Through a synthesis of frontier case studies, core technology demonstrations, and interdisciplinary dialogues, this session moves beyond abstract theorizing. Instead, it fosters deep methodological reflection and practical consensus, ultimately bridging technological innovation with heritage preservation to drive sustainable, scientifically validated digital humanities development.

Motivation

The primary motivation for this session stems from the widening epistemological gap between rapid technological advancement—particularly in AI and interactive arts technology—and traditional heritage conservation. While new computational tools offer unprecedented capabilities for visualization and simulation, they frequently operate in silos, detached from the rigorous, evidence-based methodologies of the humanities and materials science. This disconnect risks reducing cultural heritage to mere aesthetic digital artifacts rather than scientifically validated historical assets.

Furthermore, there is an urgent need to reframe virtual restoration not just as a retrospective technical exercise, but as a catalyst for AI-enabled social innovation and sustainable development. We are motivated by the imperative to bridge these interdisciplinary divides to establish workflows that ensure both historical authenticity and practical utility. By moving beyond isolated technical applications, we can successfully unlock the enduring value and commercial ecosystems of heritage digital assets.

Ultimately, this session is driven by the desire to foster a co-created, holistic paradigm—fusing innovative design practice with cultural preservation to educate the next generation, bridge global cultural narratives, and sustain heritage in the digital era.

Target Audience

  • Researchers and frontline conservators in cultural heritage protection.
  • Technology professionals in computer vision, AI, and graphics focused on cultural heritage applications.
  • Scholars in art history, archaeology, history of science, and digital humanities.
  • Policymakers, project managers, and industry practitioners in cultural heritage digitization and creative economies.

Keywords

Simulated Heritage Restoration; AI-Assisted Restoration; Evidence-Based Reconstruction; Digital Heritage Ethics; Virtual Restoration Workflow

Call for Papers / Posters, Short Films & Software Applications

Digital Creative Award!

We are looking for posters, short films and apps/software applications within the conference framework.

All projects must be presented with a poster (A0, portrait).

Participants are invited to give a short 2-minute pitch, including up to 30 seconds of their film or app demo. The best presentation will be voted by the audience!

Submission Deadline: October 16th, 2026

Send a digital copy of your accepted poster or a detail (PDF) by October 23th , 2025 to info@chnt.at. (max. files size: 2 MB)

More Details and Submission Possibility here: https://forms.gle/owoMSMbeFm3N1t4J6

!!!Bring your printed poster: Wednesday, November 11rd, 2026, 8 – 9 AM (registration desk)!!!